Lamb of God are gearing as much as launch their tenth studio album, Into Oblivion, on March 13 through Epic Information, and guitarist Mark Morton says the band discovered themselves revisiting the DNA that first outlined them.
Talking on The Downbeat Podcast with Craig Reynolds of Stray From The Path, Morton revealed there was no grand manifesto heading into the writing course of.
“Lamb of God could be very collaborative, and there isn’t any assembly earlier than we get going about what our premise is gonna be,” he defined. “However I do assume collectively we had been having conversations about, ‘Effectively, what’s it that we have gotten away from?’ Not as a result of something was essentially mistaken… ‘Ditch’ is a monster… ‘Resurrection Man’… ‘Memento Mori’ was large. However it’s, like, what have we gotten away from that was actually on the genesis of this factor?”
A significant catalyst was the band’s Ashes Of The Wake 20-year anniversary tour, which pressured Morton to re-learn older materials inside and outside.
“Whenever you be taught one thing like that and rehearse it a lot, you begin to perceive the patterns that you just’re probably not… ‘Oh, I do not actually do this transfer anymore.’ However I am doing it now ‘trigger I am studying this factor that is 20 years outdated.”
As an alternative of revisiting Lamb Of God’s personal early data like As The Palaces Burn or New American Gospel, Morton selected a distinct path — diving again into the music that impressed these albums within the first place. That meant spinning The Haunted, At The Gates, and early Meshuggah.
“That The Haunted Made Me Do It document, I used to be burning that factor down. It is so good. And Slaughter Of The Soul by At The Gates, that is simply an absolute traditional document,” Morton stated.
He singled out Destroy Erase Enhance by Meshuggah as one in every of his all-time favourite steel albums. “A number of the stuff, they get so summary… However for me, the type of essence of the fundamental groove that Destroy Erase Enhance has, that bizarre groove with an additional angle but it surely nonetheless grooves, that was an enormous affect.”
Morton additionally touched on drummer Artwork Cruz, who joined the band because the official alternative for Chris Adler in 2019. Now on his third album with the group, Cruz‘s presence continues to evolve.
On 2020’s self-titled document, Morton admits the band took a extra conservative strategy to the drum sound out of respect for the established Lamb Of God identification. “To vary drummers and have the drums be drastically completely different did not really feel proper for us,” he stated.
However Cruz‘s deep fandom of the band has grow to be an surprising artistic asset.
“He can say issues like, ‘Effectively, Lamb of God in 2009 would’ve completed this.’ And we belief that perspective,” Morton defined. “So he is in a singular place to have the ability to honor that sound and likewise run with it, which he has completed. So I believe on the self-titled document, the drums had been handled just a little extra conservative… After which over the course of the Omens document and now Into Oblivion, you see that type of evolving, because it ought to.”
Lamb Of God is ready to return to the street this March for what guarantees to be the heaviest tour of 2026, with the North American trek that includes help from Kublai Khan TX, Match For An Post-mortem, and Sanguisugabogg. Get these dates under and get your tickets right here.
3/17 Nationwide Harbor, MD The Theater MGM Nationwide Harbor
3/19 Montreal, QC Bell Centre
3/20 Toronto, ON GCT Theatre
3/22 Detroit, MI Fox Theatre
3/24 Minneapolis, MN Armory
3/25 Chicago, IL Byline Financial institution Aragon Ballroom
3/27 Denver, CO Fillmore Auditorium
3/28 Salt Lake Metropolis, UT The Union Occasion Heart
3/30 Portland, OR Theater of the Clouds
3/31 Seattle, WA WAMU Theater
4/1 Vancouver, BC PNE Discussion board
4/3 San Francisco, CA The Masonic
4/4 Inglewood, CA YouTube Theater
4/5 Phoenix, AZ Arizona Monetary Theatre
4/7 Albuquerque, NM Revel Leisure Heart
4/10 Austin, TX Moody Amphitheater
4/11 Irving, TX The Pavilion at Toyota Music Manufacturing unit
4/12 Houston, TX 713 Music Corridor
4/14 Nashville, TN Struggle Memorial Auditorium
4/15 Atlanta, GA Coca-Cola Roxy Theatre
4/16 Raleigh, NC Purple Hat Amphitheater
4/18 Studying, PA Santander Enviornment
4/19 Virginia Seaside, VA The Dome
4/21 Buffalo, NY Buffalo RiverWorks
4/23 Brooklyn, NY Brooklyn Paramount
4/25 Uncasville, CT Mohegan Solar Enviornment
4/26 Boston, MA MGM Music Corridor at Fenway
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