The annual event centered on the themes of justice, freedom, and human rights selected the documentary as its opening film.
The Seoul Larkspur International Film Festival, an annual event centered on the themes of justice, freedom, and human rights, selected “State Organs” as its opening film. Other films spotlighting human rights abuses in China and North Korea were also scheduled, with organizers reporting significant pressure from unnamed sources while finalizing the screening list.
The festival’s opening ceremony was ultimately held at KBS Hall, at the Korean Broadcasting System headquarters in Seoul—but not without obstacles.
“I’ve seen real hope,” Tae said on stage, addressing the packed hall. “When I first received the invitation, I had no idea how many people would come.”
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“Although we lack government support and haven’t secured major sponsorships or donations, we’ll continue to speak out for freedom, justice, and human rights,” Tae added.
Last-Minute Cancellations
The Seoul Larkspur International Film Festival team spent a full year preparing for the five-day festival, which was held from May 30 to June 3. Initially, they arranged screenings at CGV, one of Korea’s top cinema chains. After CGV pulled out, organizers moved the event to MEGABOX Dongdaemun, another major theater operator.
Director Calls for Investigation
Raymond Zhang, director of “State Organs,” told The Epoch Times that during screenings in Taiwan last year, his team received hundreds of threats via email and social media and faced online harassment from Chinese Communist Party (CCP)-aligned networks.
“I hope Korean authorities investigate whether Chinese interference was involved in the cancellations and bring the truth to light,” Zhang said.
(L-R) Panel host Roman Balmakov, film director Raymond Zhang, and Wang Zhiyuan, director of the World Organization to Investigate the Persecution of Falun Gong, speak during a panel discussion after a screening of “State Organs” at Village East by Angelika in New York City on Nov. 9, 2024. Samira Bouaou/The Epoch Times
‘This Crime Must Be Stopped’
Min Kyung-wook, a former Korean lawmaker and presidential spokesperson, shared his reaction after viewing the documentary.
The “testimonies of families struggling in pain, the firsthand accounts of doctors involved in [extracting organs], and the confessions of police and soldiers who once carried out persecution and torture left me so shocked that I wished none of it were true,” he told The Epoch Times.
Min condemned the CCP’s forced organ harvesting of mainly Falun Gong practitioners, calling it “a crime against humanity.”
“It’s almost beyond belief that such atrocities are being systematically carried out to suppress faith, elevated to the level of state-sponsored, industrial-scale operations,” he said.
“I hope the truth reaches not just the Korean people, but the global community—so these crimes can be stopped as soon as possible.”
“We must stop this brutal slaughter from continuing. We must pay attention. We must act,” Lee told The Epoch Times after watching the film.
‘If Koreans Don’t Wake Up, We’ll Become Another China’
Dayner Kim, a well-known South Korean YouTuber with over 288,000 subscribers, also spoke out after attending the State Organs screening.
He said the CCP’s persecution of Falun Gong and organ harvesting is widely known, but the film’s focus on a single family presents that reality with a depth that’s emotionally devastating. “It left me with a profound sense of grief and solidarity,” Kim said.
Kim also condemned the sudden cancellation of multiple human rights films at MEGABOX.
“There are forces in South Korea working in tandem with the CCP to block any content that criticizes or exposes its crimes. That’s why we’re seeing sponsorships withdrawn, venues revoked, and films banned,” Kim said in an interview after the screening.
He added a pointed warning: “If the Korean people aren’t outraged—if we don’t wake up—this country could become another China, no different from a nation under CCP rule.”
Lee, from the University of Ulsan, expressed deep frustration over the obstacles the film faced in being screened, calling it “painful and infuriating.”
“What kind of sovereign nation are we if a film can’t even be shown freely?” he asked. “We’re seeing clear evidence that the CCP has deeply infiltrated many sectors in South Korea—politics, the arts, academia. It’s heartbreaking.”
While condemning the CCP for its interference in South Korea, Lee reminds people to distinguish Chinese people from the CCP.
“The film draws a clear distinction between the two—that’s what makes this film so meaningful,” Lee said.
Organ Tourism and the Urgency of Exposure
A 2017 documentary by South Korea’s TV Chosun revealed that with low domestic organ donation rates, only 10 percent of the 32,000 patients in need ever receive a transplant. As a result, many Koreans seek quicker options in China, where wait times are shorter and access is easier—despite growing concerns over the source of those organs.
DAFOH describes forced organ harvesting as a “crime against humanity” and works globally to promote ethical medical standards and protect human dignity.
Cindy Song, one of the producers of “State Organs,” emphasized the importance of the film’s message for Korean audiences.
“The victims in the film are from Qingdao, which is just across the sea from South Korea,” she said. “I believe it’s important for the Korean public to hear this story.”
An Jing contributed to this report.
