No person on this monitor appears like they’ve forgotten the place they began. That’s the factor about “MILLIONAIRE” that separates it from the typical cash flex file.
Yachty opens by pointing on the hole between the place he was and the place he’s now. Used to not have bus fare.
That line does extra work than a complete verse of bragging as a result of it’s particular and it’s true, and you may hear it in how he delivers the refrain. He isn’t celebrating. He’s reminding himself.
The manufacturing from MitchGoneMad and WessGoneMad sits someplace between orchestral and suffocating, heavy low finish with sufficient area for every verse to breathe with out getting comfy.
The beat swap into the chopped and screwed part is imply and offers the monitor a distinct really feel, pulling the entire thing again in the direction of Houston in a method that feels earned slightly than borrowed.
DC2Trill’s verse is essentially the most enjoyable on the file. He references the Tea app, no maps wanted in your metropolis, G19s and no legal guidelines. Bars which might be genuinely humorous however delivered with sufficient edge that you don’t mistake them for jokes.
Camo! and Draft Day maintain their very own, the latter specifically sounding like somebody who has accepted the arduous elements and is shifting anyway. Nobody appears like a visitor on the file.
The video is shot inside a decaying mansion, peeling partitions, empty frames, crumbling grandeur. The overhead eating desk shot with the entire crew gathered round it’s the picture that stays with you.
The video transitions are well-executed, exhibiting sufficient to carry your consideration.
It’s Us Vol. 2 is wanting sturdy. They’re not flexing. They’re accounting.
MILLIONAIRE by Concrete Boys is out now.
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