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C.P. Firm, Stone Island Founder Massimo Osti Celebrated in Exhibit

BOLOGNA, Italy — Massimo Osti’s legacy is bigger than life.

The maverick designer and vogue entrepreneur, who died in 2005 of lung most cancers, has been on the forefront of innovation, pioneering the garment-dyeing, display screen printing and decoupage methods, inventing brushed wool and rubber flax and serving to to outline the notion of Italian sportswear — stuffed with navy and utilitarian references — because it’s recognized immediately.

His work ethic was ironbound, his creativity typically chaotic, his studio on Bologna’s Through Gaibola a wunderkammer of types the place the textile-nerd inventive masterminded extra manufacturers than arguably another designer.

These included in 1967, Chomp Chomp…, a line of graphic T-shirts hinged on popular culture and Osti’s obsession for comedian strips; Chester Perry, based in 1971 because the progenitor to C.P. Firm, into which it was renamed in 1978; Boneville in 1981; Left Hand in 1993, which led him to develop textiles proof against nuclear radiations, and Massimo Osti Manufacturing in 1995, amongst others. All alongside the best way, the designer has been fueled by an engineer-like mindset and strategies, all the time on the hunt for technical feats and newness.

Summing up his heritage and affect isn’t straightforward, however a brand new exhibition — titled “Concepts From Massimo Osti. From Bologna, Past Vogue” — has bowed at Palazzo Pepoli in Bologna and runs via Sept. 28, aiming to highlight the unknown aspects of the designer’s creativity and profession.

“He was a communicator greater than a designer,” stated Lorenzo Osti, his son and present president of C.P. Firm and Massimo Osti Studio, strolling WWD via the exhibit. “He by no means appeared again, by no means leveraged his successes from the previous.”

Inside the

Contained in the “Concepts From Massimo Osti. From Bologna, Past Vogue” exhibit.

Courtesy of Massimo Osti Archive

The 2-room exhibiting house is stuffed with memorabilia, clothes and a replica of his studio. Lorenzo Osti is a passionate storyteller of his father’s legacy, sharing many anecdotes that shed an fascinating mild on the designer’s eclectic expertise, “whose work methodology was steeped in layers,” as his son put it.

“I like the order in dysfunction, the logic into chaos,” reads a Massimo Osti observe on paper displayed within the exhibition.

The exhibition is flanked by a 430-page e-book of the identical title.

“It took us 4 years of analysis to compile the e-book,” Lorenzo Osti stated. “No person within the household was concerned in his enterprise or work life. He left all the things because it was when he died, as if he had been simply taking a lunch break.”

Born in 1944 in Baricella, within the better Bologna metropolitan space, Massimo Osti give up his schooling after highschool to turn into a salesman for Pirelli.

After attending the Cedis night faculty in industrial graphic design, he ventured on a brand new profession by opening the CD2 promoting company and dealing with girls’s knitwear firm Anna Gobbi, for which he created graphic T-shirts with silhouetted swimmers and trompe l’oeil knits via to company events’ invitations.

Inside the

Contained in the “Concepts From Massimo Osti. From Bologna, Past Vogue” exhibit.

Agnese Bedini/Courtesy of Massimo Osti Archive

He by no means thought-about himself a dressmaker, Lorenzo Osti defined, nor did he have any formal schooling in vogue, however managed to develop a peculiar design methodology, for instance, photocopying full-sized parts from navy or workwear jackets present in books and assembling them in paper collages — Frankenstein-like — to prototype new clothes.

A Bauhaus-inspired inventive strategy knowledgeable his profession, in that perform all the time led his design ethos over type, taking cues from classic navy and utilitarian gear, which he collected in giant portions believed to tally about 35,000 objects, based on Lorenzo Osti.

The designer’s most acknowledged legacy could also be in vogue objects. These embrace C.P. Firm’s Explorer jacket and Goggle jacket — the latter launched in 1988, mirroring a Japanese navy protecting hood with built-in, fuel mask-inspired lenses on the hood and left sleeve to learn watches and later utilized by drivers within the Mille Miglia automobile race. Or the Stone Island Zeltbahn Cape, its form impressed by navy outerwear that doubled up as a tent, crafted from the dual-color, resin-coated cotton canvas Tela Stella, which is thought for its washed impact and was initially meant for truck tarps.

However his inventive output has all the time been bigger than textile innovation and vogue design.

Communication; promoting; furnishings, with a line of Alvar Aalto-inspired designs; industrial design, with a prototype for the Vespa 50 scooter and for an electrical automobile named Boxel P488 developed in tandem with Paolo Pasquini, in addition to new enterprise fashions with progressive retailer ideas are all a part of his legacy.

For one, he envisioned Made in China, a brand new model hinged on a streamlined providing of 12 tops and knits per season designed by the Italian Osti and manufactured in China from cotton, wool, cashmere and wool “with a unprecedented worth for a lot of propositions,” archival paperwork learn.

Equally, the moral OM Mission line from 1997 and 1998 was forward-looking. It centered on offering factors of sale with a pc station for purchasers to customise their very own jackets that might be produced on-demand, thus decreasing distribution prices and producing increased margins to be partially earmarked to charity initiatives for underprivileged kids.

The reproduction of Massimo Osti's studio at the "Ideas from Massimo Osti. From Bologna, Beyond Fashion" exhibit.

The replica of Massimo Osti’s studio on the “Concepts from Massimo Osti. From Bologna, Past Vogue” exhibit.

Agnese Bedini/Courtesy of Massimo Osti Archive

The exhibition is an appetizer, meant to create a starvation for extra information, which might be glad by roaming the Massimo Osti Archive, established by the Osti household in 2006 and led by Lorenzo’s sister, Agata.

Housed inside a 3,229-square-foot, medieval warehouse in downtown Bologna, it’s stuffed with greater than 5,000 clothes, 1,200 equipment, 60,000 cloth samples and an prolonged library of magazines, books, prints and different paraphernalia.

Stacked in corners, garment racks and show tables, they’re a meticulous however non-comprehensive overview of Osti’s physique of labor.

Nonetheless inspirational, they’re used day by day by the workforce behind C.P. Firm and the Massimo Osti Studio model, the latter a spin-off of the previous meant as a playground for experimentation hinged on the forward-looking design agenda of the maverick designer.

The remainder of the archive was offered by Massimo Osti himself simply earlier than his dying to David Chu, the American designer with Taiwanese roots who based males’s outerwear and sportswear firm Nautica. The latter donated the 36,000-piece assortment to the China Design Museum contained in the Xiangshan Campus of the China Academy of Artwork in Hangzhou. The cultural establishment has since mounted a everlasting exhibition, titled “The Assortment of Massimo Osti Menswear.”

In 2021, C.P. Firm marked its fiftieth anniversary with an exhibition titled “Cinquanta: A Retrospective on 50 Years of Sportswear Innovation by C.P. Firm” and the e-book “C.P. Firm 971 – 021: An Casual Historical past of Italian Sportswear,” with pictures by Neil Bedford, along with different activations.

Each had been fascinating retrospective views on one of many two manufacturers that finest encapsulate Osti’s legacy, however Bologna’s archives spark a much bigger narrative, for instance on the position performed by the Italian second-tier metropolis in shaping his work, which was the results of cross-pollination and interactions with loads of multidiscipline creatives gravitating round Bologna.

To this finish, a brand new e-book within the works with publishing home Corraini is meant to highlight how the dialogue between Osti and different distinguished figures from Italy’s and the town’s cultural milieu between the ‘70s and early 2000s, together with singer Lucio Dalla and cartoonist Andrea Pazienza, formed his imaginative and prescient.

“I consider that manufacturers work after they handle to know the zeitgeist and societal change and translate its pulse [into fashion],” Lorenzo Osti opined.

This view — which his father shared, he stated — partly explains the enchantment of Massimo Osti’s manufacturers and creations to a broader and worldwide viewers. These included the British so-called “informal” subculture of soccer followers, rooted within the terraces of stadiums throughout the U.Ok., significantly Liverpool, Manchester and Glasgow, who helped propel C.P. Firm’s and, to some extent, Stone Island’s world fame throughout the ‘80s and ‘90s.

Consistent with its British ties, C.P. Firm on Monday is unveiling a capsule assortment with retailer Finish to mark the latter’s twentieth anniversary. Referred to as “Nook Store,” the lineup attracts inspiration from the independently run comfort retailer usually positioned on residential road corners, with three key outerwear types and shoulder bag crafted from the brand new Kan-D cloth, a monofilament nylon with a clear, luminous, cellophane-like end.

Inside the

Contained in the “Concepts from Massimo Osti. From Bologna, Past Vogue” exhibit.

Agnese Bedini/Courtesy of Massimo Osti Archive

Massimo Osti left C.P. Firm and Stone Island in 1994 and 1995, respectively.

The previous has undergone many possession modifications since, till it was acquired in 2015 by the Chinese language Tristate Holdings Ltd., helmed by chairman and chief government officer Peter Wang.

The latter, owned by Carlo Rivetti and his household for the reason that ‘80s, was offered to Moncler in 2020, which took full management just a few months later by buying the remaining 30 p.c stake within the model owned by the Singapore-based Temasek.

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