Bruno Gallery is ready to current “Past the Seen”, a Kinetic Artwork exhibition operating from 5 to 31 March 2026 in Singapore. The exhibition brings collectively 97-year-old Yaacov Agam and modern artist Patrick Rubinstein, tracing the evolution of kinetic artwork and movement-based artwork throughout generations. Agam has been lively for the reason that postwar interval and is commonly related to the event of kinetic and optical artwork within the second half of the 20 th century.
That includes 50 work and sculptures priced from SGD 5,000 to over SGD 1 million, the exhibition explores the shift from static remark to dynamic engagement. Collectively, Agam’s explorations of notion and Rubinstein’s daring, multi-view compositions supply a compelling dialogue on how movement continues to redefine the best way audiences expertise artwork. Works within the exhibition span work, reliefs and sculptural items that incorporate optical results, shifting views and bodily or perceived motion as a part of the viewing expertise.
Agam is related to the event of kinetic artwork, a motion that comes with bodily or optical motion into visible artworks. His works usually change relying on the viewer’s angle or place. Items by Agam are held within the collections of establishments together with the Museum of Fashionable Artwork, Centre Pompidou and the Solomon R. Guggenheim Museum. He’s additionally identified for growing the “Agamograph”, a lenticular approach that produces a number of photographs relying on the viewer’s motion. Rubinstein’s work explores related visible ideas via layered compositions that create shifting imagery when seen from totally different views.
Born in Paris in 1960, Rubinstein is related to Op Artwork and kinetic practices that mix optical results with figurative imagery, usually utilizing layered panels and reflective supplies to supply altering visible outcomes as viewers transfer across the work. Rubinstein’s follow incessantly incorporates themes drawn from fashionable tradition, geometric abstraction and symbolic imagery, whereas a few of his current works utilise supplies equivalent to gold leaf to boost reflective and optical results inside kinetic compositions.
A number of of Rubinstein’s works make use of reflective surfaces and treasured supplies, together with compositions completed with 22-carat gold leaf that intensify the shifting optical results produced by the layered buildings. His collection incessantly explores recurring motifs equivalent to butterflies, geometric patterns and interlacing strains, themes that reference motion and visible notion.
Whereas the exhibition highlights developments inside kinetic artwork, it also needs to be famous that the cultural and political contexts surrounding artists and establishments stay a part of broader international conversations. Views represented by collaborating artists don’t essentially replicate these of all audiences or observers participating with the exhibition.
Working from 5 to 31 March 2026, the exhibition takes place at Bruno Gallery Singapore, positioned at 91 Tanglin Highway, Singapore 247918. Admission is free.
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